Re fe re n z – w ar m & h ar m on ic s, Warm, Harmonics – elysia museq Benutzerhandbuch
Seite 13: Fft @ 10 dbu
13
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Warm
Warm
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Hz
185
230
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18
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400
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130
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1k5
2k0
2k7
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170
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520
3k5
210
1k3
770
1k1
Hz
95
120
160
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10
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200
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55
65
75
Hz
17k
22k
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2k0
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2k5
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14k
Hz
7k1
9k3
13k
700
780
1k7
2k5
16k
1k0
3k7
4k9
5k8
Warm
Links: Klirranteil in % bei verschiedenen Eingangspegeln im Warm-Modus
Rechts: Frequenzgang bei verschiedenen Eingangspegeln im Warm-Modus
Left
Warm
Warm
Right
Hz
185
230
320
18
20
35
60
400
25
150
110
130
Hz
1k5
2k0
2k7
150
170
300
520
3k5
210
1k3
770
1k1
Hz
95
120
160
9
10
18
30
200
12
55
65
75
Hz
17k
22k
30k
1k8
2k0
3k5
5k7
35k
2k5
10k
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14k
Hz
7k1
9k3
13k
700
780
1k7
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Low
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15
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Top
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Middle
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14
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3.5
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15
2.0
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dB
Bottom
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2.0
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dB
High
9.0
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0
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5.0
15
2.5
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7.0
dB
Low
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13
0
1.0
4.0
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15
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dB
Top
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dB
Middle
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3.5
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15
2.0
5.5
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dB
Bottom
11
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0
0.5
3.5
4.5
15
2.0
5.5
6.5
Hz
185
230
320
18
20
35
60
400
25
150
110
130
Hz
1k5
2k0
2k7
150
170
300
520
3k5
210
1k3
770
1k1
Hz
95
120
160
9
10
18
30
200
12
55
65
75
Hz
17k
22k
30k
1k8
2k0
3k5
5k7
35k
2k5
10k
12k
14k
Hz
7k1
9k3
13k
700
780
1k7
2k5
16k
1k0
3k7
4k9
5k8
Harmonics
Links: Obertonspektrum bei 0 dBu @ 1 kHz
Rechts: Obertonspektrum bei 10 dBu @ 1 kHz
RE
FE
RE
N
Z
–
W
ar
m
&
H
ar
m
on
ic
s
20
50
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500
1k
2k
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50k
Hz
%
Warm THD+N
20k
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1k
2k
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10k
50k 100k
Hz
dBr
A
Warm Frequency Response
20k
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20k
Hz
dBu
FFT @ 0 dBu
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20k
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dBu
FFT @ 10 dBu