Elektron Octatrack - Handbuch (Seite 184)

C-1
Anhang C: MIDI-CCs
Alle auf den HAUPTSEITEN der Spurenparameterseiten gelisteten Param-
eter können über MIDI-Controller-Befehle gesteuert werden. Audiospuren,
Samples und Rekorder können ebenso über externe MIDI-Geräte getrig-
gert und chromatisch abgespielt werden.
Die Zuordnung der Spuren zu den MIDI-Kanälen erfolgt unter PROJECT-
>MIDI->CHANNELS.
NOTE MAPPING
The Octatrack responds to MIDI Note as follows:
+------------------+-------------------------------------+
| Octave (Notes) | Function |
+------------------+-------------------------------------+
| #1 (0-11) | - |
+------------------+-------------------------------------+
| #2 (12-23) | - |
+------------------+-------------------------------------+
| #3 (24-35) | Track Trigs |
+------------------+-------------------------------------+
| #4 (36-47) | Sample Trigs |
+------------------+-------------------------------------+
| #5 (48-59) | MIDI Track Trigs |
+------------------+-------------------------------------+
| #6 (60-71) | Track recorders/Pickup machine |
+------------------+-------------------------------------+
| #7 (72-83) | Chromatic trig channel n, octave 1 |
+------------------+-------------------------------------+
| #8 (84-95) | Chromatic trig channel n, octave 2 |
+------------------+-------------------------------------+
| #9 (96) | Chromatic trig channel n, octave 3 |
+------------------+-------------------------------------+
Chromatic trig keys sent to the auto channel or the MIDI channel
of the active track can, when in LIVE RECORDING mode or holding
a note trig, be used to enter note trigs with locked PTCH param-
eters.
CC messages sent to the auto channel or the MIDI channel of the
active track can, when in LIVE RECORDING mode or when entering
parameter and scene locks, be recorded.
The track trigs and sample trigs are mapped to MIDI notes as
follows:
+--------+----------+
| Track | Note |
+--------+----------+
| #1 | C (+0) |
+--------+----------+
| #2 | C# (+1) |
+--------+----------+
| #3 | D (+2) |
+--------+----------+
| #4 | D# (+3) |
+--------+----------+
| #5 | F (+5) |
+--------+----------+
+--------+----------+
| #6 | F# (+6) |
+--------+----------+
| #7 | G (+7) |
+--------+----------+
| #8 | G# (+8) |
+--------+----------+
The sequencer can be controlled by MIDI notes as follows:
+----------------+---------+
| Action | Note |
+----------------+---------+
| Seq stop | A (33) |
+----------------+---------+
| Seq Strt/Stop | A# (34) |
+----------------+---------+
| Seq Strt/Restrt| B (35) |
+----------------+---------+
The track recorder/Pickup machine actions are mapped to MIDI
notes as follows. Active track up and down only works on the
auto channel.
+-----------------------+---------+
| Action | Note |
+-----------------------+---------+
| Combo rec | C (60) |
+-----------------------+---------+
| INAB rec | C# (61) |
+-----------------------+---------+
| INCD rec | D (62) |
+-----------------------+---------+
| SRC3 rec | D# (63) |
+-----------------------+---------+
| Pickup Play/Stop | E (64) |
+-----------------------+---------+
| Multiply | F (65) |
+-----------------------+---------+
| Mute active track | F# (66) |
+-----------------------+---------+
| Cue active track | G (67) |
+-----------------------+---------+
| Active track up | G# (68) |
+-----------------------+---------+
| Active track down | A (69) |
+-----------------------+---------+
| Toggle Seq sync | A# (70) |
+-----------------------+---------+
| Toggle Seq sync+start | B (71) |
+-----------------------+---------+